June 27-30, 2019 | University of Hartford, West Hartford, CT
Table of Contents
Group Registration and individual Attendee Registration are now open. Early-bird Attendee Registration rates apply through April 30. Registration closes on May 15.
- Why Should I attend Festival Conference?
- Conference Fees/Housing Information
- Scholarship Information
- Festival Repertoire
- What is Massed Ringing?
- Ringing Divisions Explained
- Bronze Division Information
- Guest Conductors
- Opening Concert Performers
- Opening Concert Ticket Info
- Course Offerings [separate page]
- Faculty [separate page]
- Schedule [separate page]
- Housing and Campus info
- Cancellation Policy
Handbell Musicians of America, Area 1 will hold its biennial Festival/Conference on the campus of the University of Hartford in West Hartford, Connecticut, from June 27 through June 30, 2019. Festival/Conference is sponsored by Handbell Musicians of America, Area 1 for the benefit of the members of the Handbell Musicians of America and the members of the ensembles that they direct.
Handbell ringers, directors and educators from all over New England and beyond will gather for four days of educational workshops, massed ringing rehearsals, concerts, and the opportunity to network with others who share a love for handbells. The event culminates in a closing concert that is free and open to the public, featuring an hour-long presentation of handbell music rung by 500 ringers!
If you have never experienced Festival Conference before, you’re in for an unforgettable weekend with some of the nicest people, superb directors, and the best bell ringing in New England. If you’re a veteran Festival attendee, we look forward to reconnecting with you!
Opening Concert Public Ticket Info
The opening concert will be on Thursday, June 27 from 8:15 to 9:45 at Lincoln Theater at the University of Hartford. Even if you are unable to attend the Festival Conference, You may attend the opening concert by Forte. Tickets will be sold to the general public for $10 a piece. Tickets may be purchased any of these ways:
- Online* Here: https://app.arts-people.com/index.php?show=101596
- Online* at www.hartford.edu/tickets, then clicking on the arts and event link
- Over the phone* at 860-768-4228, Tuesdays – Fridays from 10am – 5 pm
- Or In person at Lincoln Theater, Tuesdays – Fridays from 10am – 5 pm
- In person at Lincoln Theater on Thursday, June 27 starting at 7:15 pm
Please note that for online and phone orders there is a $1.50 per ticket fee plus a $2.50 transaction fee. These fees can be avoided by purchasing tickets in person Tuesdays – Fridays from 10am to 5pm and starting one hour prior to show time.
Closing Concert Info
On Sunday, June 30, from 3:00 pm to 4:30 pm, a Closing Concert will be held in the Chase Family Arena. This concert is free and open to the public and will feature music rung by 500+ ringers! The ringers will also be accompanied by other instrumentalists, including the 5 Metal Chemistry Brass Quintet. At the conclusion of this concert, a free-will offering will be gratefully accepted to benefit the Bradford Endowment Fund, which provides scholarships to handbell ringers and directors attending a regional or national conference or seminar.
If you would like to order a recording of the Closing Concert, you may do so online here.
Why should I go to Festival Conference at Area 1?
…to learn new things! Everyone, even the most advanced ringers can learn something new. Maybe it will be in a massed rehearsal, at a class for basic ringing, advanced techniques, an open discussion, or origami, yoga, steel or african drums, or even while chatting at mealtime.
…to meet other bell choirs, talk with other ringers and directors, and ring some of the best music available today under the most superb directors
…because if you have never experienced it before, you’re in for an unforgettable weekend with some of the nicest people, and the best bell ringing in New England.
Conference Fees and Housing
|Attend as:||Early Bird Price||After Early Bird deadline (+$30)|
|Ringer (Single Occupancy)||$515||$545|
|Ringer (Double Occupany)||$435||$465|
|Chaperone (Single Occupancy)||$405||$435|
|Chaperone (Double Occupancy)||$325||$355|
Early Bird Deadline is April 30, 2019. All fees will be increased by $30 for registrations submitted after April 30, 2019.
Scholarships are available on a variety of levels. If you are in need of financial assistance in order to attend this event, please apply for the financial assistance scholarship. Directors who are members of the Handbell Musicians of America in Area 1 and have never attended an Area 1 or National event may apply for the Bradford Scholarship for Directors. Choirs attending an Area 1 event for the first time may apply for the Bradford Scholarship for Choirs. For more scholarship information, please see the scholarships page.
All participants are expected to purchase and rehearse the repertoire prior to attending Festival Conference. Photocopies of music are NOT permitted on the ringing floor.
- Make me an Instrument of Thy Peace (Kevin McChesney) MJHS9296 (handbells), MJHS9296B (Instrument parts), MJHS9296FS (Full Score)
- Allegro Spiritoso (Greg Underwood) MAG23028 (2-3 octaves), MAG35261 (3-5 octaves) AGEHR Publishing
- Inception (Jason Krug) MLC202021L (2-3 octaves), MLC202020L (3-5 octaves) Lorenz publishing
- Festive Intrada (Sondra Tucker) MGIG6179 (Handbell), MGIG6179INST (instruments) GIA Publishing
- Andante Maestoso (Kevin McChesney) Full Score MBEHB180, MBEHB180A Handbell Score, MBEHB180B instrumental score Beckenhorst Press
- Aria (Derek Hakes) MGIG6122 GIA Publishing
- Christ is Risen, Alleluia (Patricia Hurlbutt) MGIG9306 GIA Publishing
- Now All the Vault of Heaven Resounds (Cathy Moklebust) MCO977488 Concordia Publishing
- Way Down in Egypt Land (Brian Childers) Sonology – NOTE: This is a reproducible score – buy ONE, make copies.
- Seasons of the Heart (Karen Buckwalter) MAG35197 AGEHR Publishing
- Impressions on Veni Emmanuel (Cathy Moklebust) handbell score CGB1001; full score with instr CGB1000 Choristers Guild
- Fly Me to the Moon (Joel Raney) MHP2822 or DHP2822 digital direct handbell scores
Instrument parts, conductor’s score, synth and percussion MHP2822P Hope Publishing
- Overture to the Barber of Seville (Rossini/Thompson) JHS9229 Jeffers
- Four Resonances (William Payn) MAG46008J AGEHR Publishing
Rehearsal notes are important! They help manage expectations on both sides of the table. Click this link to download a PDF of the Area 1 FC 2019 Conductors Notes.
What is Massed Ringing?
If you have never witnessed or participated in a Massed Ring, you are in for a spectacular experience! Imagine the floor of a college basketball arena, packed with 1000 feet of pad-covered tables, 3 choirs across, 10 rows deep, populated with 500+ handbell ringers, all ringing in sync under the baton of one director. The visual is amazing, the sound is inspiring, and the encounter is unforgettable.
Most importantly, massed ringing is an opportunity for personal growth. In a situation where you have multiple choirs all ringing the same piece of music, you can feel confident to reach a step or two beyond your usual ringing comfort level, knowing that there are many other ringers who will cover for mistakes and fill in missing notes.
Every ringer should experience a Massed Ring, and there is no better place to do that than Festival Conference.
Ringing Divisions Explained
Tins – A division of massed ringing for beginning/emerging choirs that are generally ringing Level 1-2 music.
Coppers – A division of massed ringing for intermediate/more seasoned choirs that are generally comfortable ringing Level 2-3 music.
Bronze – A division of massed ringing for advanced skill-level choirs that are generally comfortable ringing Level 4-5 music.
For more information about the The Handbell and Handchime Music Difficulty Level System, visit http://handbellmusicians.org/music-resources/agehr-music-2/notation-guide/
Bronze Division Info for 2019
*YOU MAY NOT HAVE TO AUDITION!*
Please visit the special page we have for all things bronze division.
Guest Conductors for 2019 Festival/Conference are nationally-renowned composers, Cathy Moklebust and Kevin McChesney. Moklebust will direct the Bronze and Copper choirs, while McChesney will direct the Tin and Massed choirs.
Cathy Moklebust (b. 1958) has developed and directed handbell music programs since 1983, and has played bells since childhood. With her dynamic, positive approach and skilled conducting, she is in national demand as a handbell clinician and festival conductor. As one of today’s most popular handbell music composers, she has approximately 250 published compositions and arrangements to her credit, many of them reaching bestseller status. Her music has been described as “pure joy to ring and listen to, having a uniquely delightful sense of melodic and rhythmic interaction, with elegant form and style.” She has been commissioned to write music for festivals and other events, as well as for many individual handbell ensembles, including nine for the Raleigh Ringers. Cathy’s music has been broadcast on “Today,” “Good Morning, America,” public television, public radio, and SiriusXM satellite radio.
Ms. Moklebust began her musical career as a public school instrumental music instructor in South Dakota. She is an active percussionist, and has performed as principal or section percussionist with several professional and community bands and orchestras throughout the upper Midwest. Cathy has played in, conducted, and coached church and community handbell ensembles in South Dakota, Minnesota, and Iowa. Since 1989, she has worked in the music retail and publishing industry; currently she and her husband David operate Moklebust Music Services, a music preparation service.
Cathy earned both her B.A. (Music/Percussion, 1982) and M.Ed. (Teacher Education/Music, 1988) at South Dakota State University, in her hometown of Brookings, SD. She was encouraged in composition by her music theory professors Mary Alice Spencer Berger and Dr. Paul H. Royer, and studied instrumental conducting extensively with Prof. John F. Colson. Her handbell education began in 1970 with the Towers Handbell Choir of First Lutheran Church in Brookings, under the direction of the late Mrs. Barbara Berntson. Cathy and her husband reside in Brookings, SD.
Kevin McChesney graduated with highest honors from the University of Colorado at Boulder with a BMus in Composition and Theory. A composer and arranger of handbell music, Kevin currently has over 450 titles in print and is one of the very few musicians who makes handbells a full‑time vocation. He has won numerous awards for his work, including American Guild of English Handbell Ringers Composition Contests and Jeffers Composer of the Year.
Kevin was a church music director in Methodist and Presbyterian churches for twelve years. For five years, he was also accompanist and co‑director for the vocal music department at Air Academy High School, where he co‑directed a major production each fall season for eleven years.
Kevin is currently the handbell editor for Jeffers Handbell Supply and the RingingWord catalog. He directs an auditioned community handbell choir, the Pikes Peak Ringers. He is also co‑founder of the Solo To Ensemble Project, STEP, and authors a quarterly newsletter containing instruction and information for handbell programs, the Handbell Classroom. He is in demand throughout the handbell world as a workshop clinician and festival conductor.
Kevin lives in Colorado Springs, CO, with his wife Tracy and their cats, Belle and Grace Note.
Opening Concert Performers
Forté Handbell Quartet will be performing the opening concert.
Based in Colorado Springs, Forté is an advanced quartet marked by artistry, energy, and dedication to their craft. In pursuit of musical excellence, Forté strives to explore, innovate, inspire, and glorify God through the gift of music.
Formed in 2007, Forté began as an extended outlet for advanced ringers in Colorado Springs and immediately began to be featured in several concerts and tours with the Pikes Peak Ringers. But with an ever-expanding repertoire and the enhanced scheduling flexibility that only a small ensemble can provide, Forté soon emerged as a unique performance and educational quartet, quickly developing an elite reputation within the handbell world. The musicians of Forté – Luke Nabeta, Megan Reishus, Dillon Ekle, and Tory Marting – continually challenge themselves to “Rethink Possible,” expanding their musical and performance horizons, adding original compositions and arrangements to their already-challenging repertoire, and seeking out new performance venues and educational opportunities. In the past few years, Forté has had an increasingly active schedule of concerts and recording CDs and music videos, were featured performers at the Handbell Musicians of America National Seminar in 2016, presented a successful tour from Colorado to New York and back, another to Minnesota and back, and are planning several more tours and recording projects in the coming years. In 2017 the group has been celebrating its tenth year and is looking forward to many more!